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"Andrew Kreps Gallery is a contemporary art gallery founded in 1996. Andrew Kreps Gallery was founded in New York in 1996. Spanning 10,000 square feet across two levels, the gallery currently mounts more than ten exhibitions by international artists each year."
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Modern gallery space for a range of modern & contemporary art in a former bathhouse building. One of the leading contemporary art galleries in Japan.
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Anthony Reynolds organised his first exhibitions in the North West of England in 1969. In 1970 he staged what was then the largest exhibition of contemporary British photography, including over 400 works. From 1976 to 1982 he was Regional Art Officer for the Arts Council of Great Britain, supervising the distribution of grants to artists and artists organisations nationwide. In 1982 his Collazione Inglese was the first exhibition to take place in Venice as an autonomous intervention at the Biennale. This was repeated in 1984. After three years operating as an artist's agency Anthony Reynolds Gallery opened in large space on the edge of the City of London in 1985. Over the next 35 years, i
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Simon Lee Gallery is an international art gallery representing over 35 established and emerging contemporary artists and estates.
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Founded in 1997 by John Cheim and Howard Read, Cheim & Read is a contemporary art gallery in New York that presented both recent and historically significant artworks in museum-quality exhibitions. We work directly with some of the world's most important artists, foundations, and estates, including Lynda Benglis, Louise Bourgeois, Sean Scully, and Matthew Wong. Cheim & Read first opened with an exhibition of Louise Bourgeois and Jenny Holzer in February 1997 in Chelsea on West 23rd Street. In 2001, we moved to a new gallery at 547 West 25th Street, designed by Richard Gluckman, where we mounted monographic exhibitions of Matthew Wong (2021), Lynda Benglis (2020), Joan Mitchell (2018), Sea
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For 57 years, Goodman Gallery has championed a leading community of artists who inspire social change and provided a platform for dialogue and healing. In 1966, during South Africa’s apartheid years, the gallery opened its doors to artists of all races, refusing to discriminate against artists of colour and becoming one of the first spaces in the world to exhibit artists who are beginning to gain global recognition as pioneers of 20th Century African Art. Since 2008, under the leadership of owner director Liza Essers, the gallery has expanded from the preeminent South African gallery to a pioneering global gallery with a robust international programme. This is characterised by ongoing c
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BLUM represents more than sixty artists and estates from seventeen countries worldwide, nurturing a diverse roster of artists at all stages of their practices with a range of global perspectives. Originally opened as Blum & Poe in Santa Monica in 1994, the gallery has been a pioneer in its early commitment to Los Angeles as an international arts capital. The gallery has been acclaimed for its groundbreaking work in championing international artists of postwar and contemporary movements, such as CoBrA, Dansaekhwa, Mono-ha, and Superflat, and for organizing museum-caliber solo presentations and historical survey exhibitions across its spaces in Los Angeles, Tokyo, and New York. Often partn
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BLUM represents more than sixty artists and estates from seventeen countries worldwide, nurturing a diverse roster of artists at all stages of their practices with a range of global perspectives. Originally opened as Blum & Poe in Santa Monica in 1994, the gallery has been a pioneer in its early commitment to Los Angeles as an international arts capital. The gallery has been acclaimed for its groundbreaking work in championing international artists of postwar and contemporary movements, such as CoBrA, Dansaekhwa, Mono-ha, and Superflat, and for organizing museum-caliber solo presentations and historical survey exhibitions across its spaces in Los Angeles, Tokyo, and New York. Often partn
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Nara Roesler is a leading Brazilian contemporary art gallery, representing seminal Brazilian and international artists who emerged in the 1950s as well as preeminent mid-career and emerging artists who dialogue with the currents put forth by these historical figures.
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